Me, Girl Friday

There’s a lot of dictation in the rapid talking, speed typing, black-and-white-film His Girl Friday.

Cary Grant’s on fire brain does not stop, weaving yarns, spinning tales, and delivering headlines via his star reporter and recent ex-wife Rosalind Russel. What’s fascinating is that a team – Grant and Russell -- crate their headlines together. He throws his ideas at her, while she bangs them into her Smith Corona. 

While I wish I could be either Grant or Russell I will say that several years ago, I discovered dictation as an invaluable tool for the disconnected writer. Such a student is one who tells you their great ideas but struggles to get them down on paper. They stop, they stare into space, there is silence. There is a disconnection between orally delivering their story and writing it down.

There are dozens of articles online about the use of dictation as a writing tool both for older and younger students, as well. Perhaps my discovery wasn’t an accident at all, now that I think about it. I had used Patsy Cooper’s wonderful When Stories Come to School when I taught storytelling with the little ones in preschool. Possessing only their oral skills, their stories often come out so naturally that the printing and paper piece of the endeavor never comes into play. Except that sometimes the stories come at such a rapid pace – not unlike those of Grant and Russell – that you have to ask the student to “slow down.”

One of the most satisfying dictation sessions I’ve ever had took place last week with a new college applicant. We brainstormed her ideas, and I wrote down what she was saying, because it was coming out so naturally. Before I knew it our session was over. It felt less like a writing session and more like a conversation.

And that is what we’re aiming for.

Puzzle Pieces

Putting it all together. That’s what we did with an essay over the past three weeks.

My rising sixth grader found a subject he was interested in – the beach – and we brainstormed the elements he would include: the sun, sand, ocean, snorkeling, and a refreshing glass of lemonade. Then we got a graphic organizer, put all the elements in order, and wrote them down, using connecting phrases between the paragraphs. At the end we did a final read, revising as we went along. The last step was typing it up.

One of the things we talked about is that an essay can seem overwhelming when you start but if you break it down to its parts and you focus on each one at a time, it’s not so bad, after all. In the end, you put it all together, just like a puzzle.

Oh, and another thing. Writing this out in cursive helped the student practice his handwriting. Another win.

Snoopy Is My Co-Pilot

I grew up with Snoopy and the Peanuts gang. I read the comics, had a stuffed Snoopy, and even a cutlery set for meals.

When I taught preschool, Snoopy was my co-pilot. At the beginning of the year, I would introduce stuffed Snoopy and tell the kids that he was going to help teach class. “Snoopy says…” (i.e. “please help pick up the toys,”) became a regular part of our school day.

Lately Snoopy’s been sitting on the shelf, because the older kids don’t really need him. Or do they? Last week, I wrote a letter to my middle school student and sent it in the mail, as an example of a fun way to practice handwriting. While cleaning out my desk I found some Snoopy stickers I used with the little guys. “Do you like Snoopy?” I asked, as an afterthought, at the end of the letter.

Who knew what was coming? Not only does he like Snoopy, but he has a Snoopy watch. At our next session, which turned out to be the best one ever, I downloaded an image of Snoopy at a typewriter, and added a thought bubble: “Snoopy says, “We need snacks!” This is the student’s grocery list template, which is a great way to practice cursive writing.

Oh, and something else. His essay on the beach is almost done. Not only has he written all the parts for his graphic organizer, but he even volunteered to finish writing it on the weekend! Talk about being in the zone. This is what I meant several weeks ago when I wrote about being “lost” in play or reading.

In the end, everyone needs Snoopy.

What’s the Story?

Here’s a problem I come up against a lot: great atmosphere, little story.

It’s when the writing student has a great sense of character, dialogue, and setting but there’s not much happening in terms of a story. The reader reads but they are going nowhere.

How to help?

Even the smallest children understand that good stories always have a beginning, a middle, and an end. The trick is always to hook the reader from the start. Kathy Caprino, a Senior Contributor at Forbes, says,

“We don’t start a story with: “I am going to tell you a story about the summer that I found out I wasn’t as timid as I thought.” What we publish instead is: “As I hung over the cliff, clinging to the exposed root of a windswept tree, I realized that I was braver than I thought...”

Another important point is…what’s the point? Why is the student telling this story in the first place? What is it that they want to get across? 

Which brings me to the final issue: what’s the problem? Often, the crux of the issue is that students are displaying great skills at the big three — character, dialogue, and setting — but have not identified why they are using these skills. When they can show the ultimate problem that the protagonist is about to solve – what every Bildungsroman, or hero’s journey is about – they have a real story.

For more on storytelling and how to engage readers:

https://www.forbes.com/sites/kathycaprino/2014/04/10/7-essential-tips-for-writers-who-hope-to-engage-millions-of-readers/?sh=5e2053451cad